#224) Equivocation Nightmare: Friday’s Exchange (Hawley vs Verma) is a piece of “disastrous testimony” for the Biomedical Establishment

You can’t do this in front of the American public. Average people do not understand this. You must answer the question.

SIMPLE YES OR NO: Can men get pregnant? Say “Next question” if you’re not going to answer it.

#223) Is the NY Times Trying to Imitate The Onion with this OpEd?

The NY Times published a 2524 word OpEd with dull narrative metrics (3.2%/7) about the need to not be dull in today’s “attention economy.” Kinda funny.

See that orange dot below the green box? That tells you the OpEd was probably pretty hard to follow.

THIS EDITORIAL HAS POOR NARRATIVE STRUCTURE

Where to begin.

First off, most OpEd’s in today’s overly busy world tend to be less than 1,000 words. For some reason, the NY Times chose to publish this piece on Saturday about our attention deficit problems which has 2.5 times that many words. Why?

Second, if we look at the narrative metrics (if you’re not familiar with our two metrics you can bone up on them here) we see two stumbles.

The AF should be around 2.5%. It’s over 3%.

The NI should be over 20. It’s 7.

The former reflects flabbiness of editing, the latter reflects a lack of narrative strength.

Third, look more specifically at the basic opening structure. The conversational ABT structure is basically:

We have a problem, but here’s the problem …

That’s confusing — like a double negative — which academics may love but the general public gets lost.

Specifically, you see it at the start of the third paragraph which opens with, “We definitely have an attention problem, but it’s not just …”

What you want is:

Here’s how we want the world to be, but here’s how it is …

That is how you achieve clear, singular focus.

From there this OpEd sends you off on a journey of, “So what is the main point they are trying to make here?” Which means you’ve lost most people, other than the inner circle who are already deeply connected with the subject matter.

I sent this OpEd to five friends, they all failed to get through it — they found it too “dull,” “unfocused,” “ambling,” in their words. Which might be okay for an essay on sub-prime interest rates, but this was about the need to not get distracted and lose focus.

LEARN FROM A 1940’S FRENCH ACTIVIST?

Lastly, it ends by citing a French activist from the 1940’s telling us why we should learn from her.

Are they aware that the style of mass communication back then was different from today? And if so, how do they propose today’s readers access that material without losing focus and getting bored.

My advice, based on the ABT Narrative Framework we’ve developed and our 15 years of training people in narrative structure is to:

  1. Keep your essay to under 1000 words (no excuses)
  2. Get your AF to right around 2.5%
  3. Get your NI to over 20
  4. Lay out the dream, contradict it, expand out from there, then bring it back into tight ABT structure at the end with realistic modern recommended actions.

Or … given what it is (a boring essay on the need to not be boring) just publish it in The Onion.

#222) Is New Cal Tech President Ray Jayawardhana a “Good Communicator”? Yes, here’s QUANTITATIVE PROOF

Rule #1 of powerful communication is “Don’t TELL me, SHOW me.” The NY Times TOLD us yesterday Dr. Jayawardhana is a good communicator, here are the data that SHOW it.

Jayawardhana (based on his 3 major books) is right there with Crichton (versus your typical poorly communicating scientist who is around the snooze emoji).

 

VOICES HAVE A DISTINCT “NARRATIVE FINGERPRINT”

I’ve spent the past decade researching and establishing the two basic narrative metrics — the AF (AND Frequency) and the NI (Narrative Index). A decade ago, I tried to warn of the communications strength of Donald Trump (nobody listened, fortunately he never amounted to much). Last year I put them to use in detail in Lincoln But Trump.

In the fall our NMS (Narrative Metrics Specialist) Liz Strauss teamed up with our ABT buddy Erik Stengler at SUNY Oneonta to do a study using the two metrics to compare the novels of Douglas Faulkner versus Michael Crichton. We discussed it in our Wednesday ABT Discussion GroupYou can see the results in the graph above.

FAULKNER WAS COMPLEX, CRICHTON WAS “HIGHLY ACCESSIBLE”

Asking ChatGPT to describe novelist William Faulkner’s writing style it said, “Faulkner’s style prioritizes emotional truth over narrative clarity.” This is conveyed by his AF scores, which are high.

The average AF score for well edited material is 2.5%. Faulkner’s novels average well over 3.5% reflecting the lack of “narrative clarity” achieved for artistic purposes (not from ineptitude).

A score below 2.5% could be described as exceptional narrative clarity.

This is what characterized Michael Crichton’s writing. He wasn’t trying to create characters with “intense inner conflict, moral ambiguity, and emotional complexity” as Faulkner was. As ChatGPT says, Crichton’s work was designed to, “educate, entertain, and warn simultaneously.”

DR. JAYAWARDHANA COMMUNICATES WITH “NARRATIVE CLARITY”

Yesterday, the New York Times announced astrophysicist Ray Jayawardhana as the new president of Caltech. Using our super-simple ABT-ometer, we calculated the two narrative metrics for three of his most significant books.

So look at Jayawardhana’s metrics in the graph above. Bingo. Right there with Crichton.

And if you’re wondering how good that is, we can assure you that the vast majority of scientists, almost all of whom lack “narrative intuition,” end up in the lower right corner of that graph (sorry, it’s what the data show us, over and over again).

 

#221) Biomedical Clarity: 18 Excellent Five Minute ABT-structured Talks from Emory Univ Med School (and R.I.P. climate)

Our 4th year of running the ABT course (our 43rd round overall) at Emory University in Atlanta produced the best group of talks to date.

Emory University Medical School: An ABT Incubator

 

WHY DO WE KEEP TAKING BACK HEART TRANSPLANTS?

If you want the context and answer to this fascinating question watch the first of the 18 five-minute presentations this year from the medical students and faculty of Emory University Medical School. We worked with them all semester long, shaping these short presentations using the ABT Narrative Template. The end results are excellent. You can view them all here.

PUBLIC HEALTH GETS IT, CLIMATE SCIENCE/ACTIVISM IS UTTERLY HOPELESS

Sorry to be so blunt about this but I’ve given nearly 20 years of my life trying to help the climate community with communication, pretty much all for naught. You want to see what their more-than-a-billion-dollars of effort has amounted to? Just look at the title of this article last week in POLITICO. Someone, somewhere should be ashamed of themselves for such a mess (but they aren’t).

This article last week sadly speaks for itself — a tale of staggering incompetence.

 

#218) THE NARRATIVE KNOCKDOWN #7: The Story Continues, this week with Donald Trump, On and Off Script

Trump has two speaking modes: bland versus fiery. One is scripted (his day job), the other shoots from the hip, is borderline crazy, and inspires his base. The Narrative Metrics reveal all.

Hercules shouts about health issues, the Hulk holds court over economic policies, a couple of magazine editors speak rationally, a great columnist keeps her cool, a macho Health Secretary turns out to be a narrative weenie, and all the while, the two forms of President Trump are revealed by the Narrative Index of his speeches.

Trump: Unscripted barking versus scripted restraint

This is the next installment in our on-going quantitiatve analysis of the narrative strength of various communicators. If you’re not clear on our two narrative metrics you can go back to our first post in this series for an explanation.

So for this week, our focus is the two versions of Donald Trump when it comes to public speaking. This fundamental divide became evident during his first term as U.S. President (I wrote a series of blogposts back then as I was first developing the narrative metrics). There are two versions of him for public speaking as you can see in the graph.

You can see the divide in the two groups of speeches we analyzed just by looking at the labels for the speeches in the spreadsheet below. The UNSCRIPTED speeches were events like Coachella, CPAC, the Al Smith Dinner — all venues where everyone wants the entertainer version of Trump. The SCRIPTED speeches were all from the teleprompter — things like his State of the Union addresses, Inaugural Address, commencement speeches.

The unscripted, shooting from the hip version of Trump is loud, bellicose, braying, bragging, bullying and often a boor. That version averages over 30 for the Narrative Index — the highest average we’ve ever seen for a politician.

The other version is more “diplomatic” (though that term is a stretch for him). It is more restrained, averages below 10 (a “D” for a letter grade) and is probably controlled mostly by the writing of Stephen Miller and his other speech writers who craft the text that he reads off the teleprompter.

A Boor versus a Bore

This is what the Narrative Index shows, quantitatively. When he goes scripted, he gets boring. When he throws out the script, he becomes a boor who lights the place up. And by the way, his January 6 speech scored a 26. Right on-brand.

All of which shows QUANTITATIVELY what I’ve been saying for a decade: Trump Knows Narrative.

Far better than any Democrat. Which is why, like it or not, the news of his demise continues to be premature. He understands our media-driven mess of a society, far better than any scholar, pundit, or critic, with the possible one exception of Steve Bannon (which was what David Brooks found so unsettling about him).

#217) THE NARRATIVE KNOCKDOWN #5: RFK, Jr. is a Narrative Smudge

Robert Kennedy, Jr. may be fond of contrarian views but when we look at his narrative metrics he’s not arguing very powerfully. Why? Uncertainty is the enemy of narrative.

We now have Narrative Shouters, a Smirker, and a Wimp.

 

The singular narratives vs mixed messages

As we all know, Robert F. Kennedy, Jr is trying to do a makeover on American public health. But exactly which parts of it and exactly how much, tends to be unclear. Search his name with “mixed messages” and you’ll find stacks of articles with that in the title.

One of the fundamental requirements for powerful narrative structure is to know what is the story you’re seeking to tell. It’s not clear he’s always certain of that.

As a result, take a look at his Narrative Index. It’s a paltry 11.

He claims to have the singular message of MAHA (Make America Health Again) as stated in May in his first major report, but The Daily Beast and Washington Post quickly pointed out the report was riddled with inconsistencies and even fabricated material from A.I.

If you don’t know your story you’re not going to have strong metrics

The inconsistencies start with trying to argue for a reduced role of federal government at the same time that he’s recommending aggresive federal intervention in personal nutrition. He has consolidated more power in the new AHA (Administration for a Healthy America) with a top-down reorganization more centralized than anything in any previous administrations.

While at the same time trying to argue against big government? Seems like he’s saying, “We need big government to get rid of big government.”

The result is a confused agenda, confused messaging, and thus weak narrative structure.

Who’s afraid of the big bad RJK, Jr.

The point is he’s not a good communicator. Yes, he has Kennedy instant visual appeal and even some heft, but once he opens his mouth, it’s not adding up.

RFK, Jr. with the weak narrative metrics

For RFK, Jr. we opted for only articles and speeches over 1,000 words for which we could only find 10 (but that’s plenty).

#216) THE NARRATIVE KNOCKDOWN 4: Maureen Dowd appears to be “narrative normal”

What does the Narrative Index (NI) tell us? A lot. At least sometimes. We all know Maureen Dowd is a brilliant writer, but when it comes to narrative structure, she appears to be more restrained.

Smirkers versus shouters? This odd portrait of, “Tea and Tater Tots,” compliments of Chat GPT.

The deft voice of Maureen Dowd

Let’s start with the link to our KNOCKDOWN FORUM where you can share any thoughts, comments or suggestions (like “get stuffed” if you don’t like this particular post).

The numbers don’t lie: “A smirk not a shout”

Legendary New York Times columnist Maureen Dowd scores only a “B” for narrative structure with NI = 19. That’s not bad — it’s where just about all politicians score.

It’s not blazing, bellicose argumentation. But then I don’t think that is how anyone would characterize her style. She’s more understated and sly.

I asked Chat GPT to describe her style. Among several things it said was this:

Character-driven – Rather than focusing on policy or complex analysis, she zooms in on personalities. She portrays public figures almost like characters in a drama or satire, highlighting their quirks, hypocrisies, or vanity.

When I asked if she is “aggressive,” part of what it said was:

No, she’s not uniformly aggressive in the sense of being humorless or strident. Her power often lies in her underhanded jabs—a sharp line delivered with a smirk, not a shout. Her aggression is frequently couched in irony, playfulness, and theatrical flair, rather than blunt-force argumentation.

All of these replies are indeed consistent with a narrative index of 19. Particularly interesting is the line, “a smirk, not a shout.” Think about that line in relation to our narrative heavy weights (Krugman, Faust, 49 and 47, respectively).

Shouters versus smirkers. I like that. A lot.

Also, soak in the narrative beauty of her And Frequency, a near-perfect score AF = 2.48% (she really needs to work on that last 0.02%).

Argue over the interpretation (but not the data)

All we’re doing here is reporting the patterns we see in the two most important words for narrative structure (AND, BUT). We’re doing a reasonably systematic job with the analysis — usually reporting the average of 25 samples from a single venue, usually over 1,000 words for each essay.

You can’t argue the numbers, but when it comes to interpretation, what does it all mean?

That’s what we’re constantly working on. For this installment, I think we’ve identified the divide between smirkers versus shouters.

Could we be discerning a pattern? Might it be that we have a couple of shouters?

#215) THE NARRATIVE KNOCKDOWN 3: We have a NEW CHAMPION!!! Ladies and Gentlemen, meet Dr. Paul Krugman, Narrative Beast!

As stunning as Narrative Hercules (Jeremy Faust, M.D.) might be, we’ve found his match. Our new champion is not only narratively ripped, he has an Economics Nobel Prize to boot.

Narrative Hercules gets out-butted by our new Champion

Weaponizing the ABT

If you haven’t been following this series, it’s about our weaponization of the ABT Narrative Template into two metrics. The previous three posts will fill you in on it.

The ABT is now spreading into fields like business (see this list of the Top Six Models for Storytelling for CEOs), law (read this great article from lawyer Patrick Barone applying the ABT to legal argumentation), civil engineering (check out this page from folks at MIT) and lots of other disciplines. Furthermore, this fall for the 4th year in a row we’ll be teaching the ABT course at Emory University Medical School.

Now we’ve developed two simple metrics that gauge how much a given text is drawing on “the power of narrative.” You can read about them in-depth in our new book Lincoln But Trump.

The pattern: Bulging narrative metrics

So, we thought we had a complete outlier in MedPage Editor-in-Chief Jeremy Faust, author of Faust Files. He rings the NI (Narrative Index) bell at a staggering average of 47 — half again as much as the typical New York Times columnist (see graph below). We thought surely he can’t be beaten. We were wrong.

Look at his metrics. He averages 49 for the Narrative Index (versus 47 for Faust) and a super-charged 2.0 for his average AF (AND Frequency). That sort of AF score shows his narrative voice to be almost staccato, and definitely paratactic.

These results are somewhat surprising given that he’s a humble scholar (heavily informational folks don’t tend to score so high). But then knowing the power of narrative structure, it’s not surprising he has 4.6 million followers on Twitter/X.

Your interpretation: Once again, what does it mean? You tell us…

As I said last week, we’re making this stuff up as we go along. I’ve been at the metrics non-stop for a decade — since the publication of my 2015 book, Houston, We Have A Narrative, but we’re still working on making sense of it.

Back then I managed to find one person in the Democratic party, James Carville, who found it interesting. I connected with him when I hit the terrifying realization that Donald Trump’s NI average of 29 was double that of his opponent (14) who was a candidate who ran for president with no message. I talked about it in detail on Park Howell’s podcast the morning after Trump’s victory.

So, what does this new finding for Krugman mean? As always, we’re interested in your interpretation of what the data say.

Please email us any thoughts at: randyolsonproductions@gmail.com

Our Interpretation

We think these results for Krugman push back the boundaries and expectations for the highly educated crowd. The sky-high NI says that even the most erudite in our society can tap into the power of narrative structure to excite audiences with what they have to say.

It also means that Hillary Clinton, had there been people on her staff who knew these narrative metrics (there weren’t according to the bestseller “Shattered”), they could have shown her the weak scores, then pushed for revisions that could have matched her opponent (who is still dominating this country with the overwhelming power of his narrative intuition). Paul Krugman, Jeremy Faust, and I’m sure lots of others are narrative role models. BUT sadly … the vast majority of academics, scientists, and Democratic party speech givers aren’t.

And lastly, this stuff is essential for powerful communication. If you doubt it, just ask the South Park guys.

And if you want to check for yourself, here are the raw data …

Okay, who should we analyze for next week? You tell us.

We’ve established a chat thread for the discussion of THE NARRATIVE KNOCKDOWN and for you to post your suggestions of who we analyze for upcoming bouts of this weekly exercise. Let’s hear your thoughts!

“Science Publications” – Nature Climate, Bulletin of ASLO, IUCN Reports, Molecular Ecology. Error bars are Standard Error of the Mean, N = 25 for each bar, at least, letter grade ranges on the right.

#214) THE NARRATIVE KNOCKDOWN 2: Richard Horton (Editor-in-Chief, The Lancet) vs Narrative Hercules (plus we add the second narrative metric, the AF)

As we continue to work on the interpretation of our narrative metrics, it’s clear another major editor pales in comparison to Narrative Hercules.

Narrative Hercules swings his mighty sword of BUT.

First off, the second index

Last week we introduced the NI (Narrative Index, which is just the BUTs / ANDs ratio). This week we add the other metric — the AF (AND Frequency, which is the percentage of all words in a text that are AND).

You can read a great deal about both metrics in our new book Lincoln But Trump. In it, we present the famous Lincoln-Douglas Debates of 1858 as the founding data set for the NI, along with a study of the World Bank Annual Reports as the founding data set for the AF.

The unique thing about the AF is it has a very clear optimum value of 2.5%. To learn a bunch about this just ask Chat GPT (though as usual, some of what it will tell you will be wrong). For the definitive explanation of why we stick with 2.5% definitely read the book.

Also, if you’re really interested in this topic get Chat GPT to tell you about POLYSYNDETON (what Hemingway often did) and PARATAXIS (the use of short, punchy, staccato style).

 

The Data: Another one bites the narrative dust

First, the data. As you can see, Richard Horton, Editor-in-Chief of The Lancet, scores very similar to last week’s contender, Holden Thorp, Science EIC. They scored 18 and 20, respectively for the NI, and 2.8 and 3.0 for the AF.

BUT … as far as the numbers go, neither is in the same realm as our Narrative Hercules, Jeremy Faust, MD. His NI scores are more than double theirs. DOUBLE. Which continues to baffle us.

What does it all mean?

Yep. That’s the relevant question. There’s no arguing with the data. The numbers are shockingly simple; the patterns are clear and significant.

But what exactly does it mean?

We’re not entirely certain ourselves. But we think it’s important to look at the New York Times professional columnists.

Look at the NI average of these big-time professionals (Dowd, Kristof, Friedman, etc.). They provide the most important reference point. They are the standard against which to measure everyone. They are the ones who know how to argue most powerfully, most compellingly, most persuasively.

The editors of both Science and The Lancet are not in the same range. Which makes you think it’s a difference of worlds between the broad societal dynamics addressed in the NY Times versus the more specific disciplines of science or medicine.

BUT THEN … once again … what about the exception? Dr. Faust.

That’s where our thinking is at the moment.

THEREFORE … tune in next week for Round 3 of THE NARRATIVE KNOCKDOWN!

THE DATA. For each group we analyzed 25 articles except for Nature Climate, Holden Thorp, and Richard Horton because their articles were around 700 words instead of the usual 1,000 words we use as a cutoff. To offset this, we analyzed 50 for each.

#213) THE NARRATIVE KNOCKDOWN: Jeremy Faust, MD (Editor-in-Chief, MedPage) vs Holden Thorp, PhD (Editor-in-Chief, Science Magazine)

Jeremy Faust is our Narrative Hercules. Now it’s time to bring on the contenders. Our first match is with the editor of Science magazine, Holden Thorp.

ABT is Champ!

 

How much narrative punch are you delivering?

Who draws more on the power of narrative structure? We’ve developed a simple metric for it. You can read about it in detail in Appendix 1 of our new book Lincoln But Trump.

It might feel a little unfair to judge the very people whose job it is to judge others as editors. Whoops, sorry.

 

The Narrative Index

The Narrative Index is simple as pi:
  • NARRATIVE INDEX (NI) = (BUTs / ANDs) x 100

Here is the letter grade curve:

Last week we stumbled across the mind-blowing scores of Jeremy Faust, MD. He averaged a 47 for the 25 editorials we analyzed. We’ve looked at several thousand authors over the past decade but have never seen anyone average much over 30 for the NI. It spun our heads around.

But … he’s an editor. Maybe editors just have a brain for narrative structure when they do their own writing. To test this, we calculated the NI for 25 editorials from Holden Thorp, the current editor of Science magazine.

Here’s what we found:

 

Let’s not bicker over who out-argued whom

Dr. Thorp scored a solid “B” for the Narrative Index. Is that a bad score? Not for a scientist. Is it a good score? Is he hoping to reach a very broad audience with his editorials?

To put the scores into the bigger picture, here they are with the values we presented last week.

The Narrative Index for various publications. (Error bars = standard error of the mean, N=25 for each venue.)

The Narrative Index for various publications. (Error bars = standard error of the mean, N=25 for each venue.)

 

Clearly, Dr. Thorp is not arguing with the strength of a NY Times columnist. BUT … NY Times columnists, in turn, don’t come close to arguing with the strength of Dr. Faust.

Next week on The Narrative Knockdown

Tune in next week for The Narrative Knockdown as we search for more contenders to go up against our champ. If you want to learn the details of the Narrative Metrics read our new book Lincoln But Trump. And if you have some thoughts or commentary that you want to share with us directly, we love getting email: randyolsonproductions@gmail.com.